History in a Fulton Cemetery

While doing research for my Nestlé book, I learned about the Swiss chocolate makers who immigrated to Fulton to start our candy factory. Some of those chocolatiers became permanent residents of our city and were buried in the Mt. Adnah Cemetery. Since my parents and grandparents are laid to rest in St. Mary’s Cemetery, I’d never been to Mt. Adnah, so, on a warm summer evening in 2017, I made my first visit there, hoping to locate the burial plots of those early Nestlé founders.

Pulling into Mt. Adnah, I noticed how different I felt being on the cemetery grounds after driving Fulton’s busy streets. Aside from knowing that I was in a sacred space, there was something about Adnah’s abundant shade trees and roadways curving up and down hills. It felt like I was following a country lane back in history.

Those feelings were confirmed after I read the book “Historic Overview of Mt. Adnah Cemetery.” (Copies of the book are available at the Fulton Library.) The work by historian Christine Lozner, published in 1991 and recently reprinted, tells the story of how Mt. Adnah came to be.  Ms. Lozner’s thorough review takes us back a century and a half to the founding of Fulton’s first cemetery.

The year was 1851, and Mt. Adnah was about to become one of America’s few “rural cemeteries.” This new type of burial ground was a result of large cities forming in our rapidly-expanding United States. Crowded urban conditions meant families no longer had large backyards, farm fields or rural churchyards to lay their loved ones to rest, but people still wanted a peaceful setting to remember them. Rural cemeteries, established on the outskirts of those cities, were the answer.  When Fulton-area residents decided to create Mt. Adnah, it became the first such cemetery in Central New York, founded before Oswego’s Riverside Cemetery (1855) and Syracuse’s Oakwood Cemetery (1859).

In the mid-1800s, Fulton was not yet a city—that would happen fifty years later—but the two towns of Fulton and Oswego Falls that would one day merge were already home to five Protestant and one Roman Catholic church. When it began, Adnah offered burial sites to everyone, no matter their religion. (When St. Mary’s Cemetery opened in 1873, Catholics began being laid to rest there.)

Ms. Lozner’s book points out the warm welcome Mt Adnah planners received. She noted that community support recorded in the Cemetery Association’s minutes included fundraising efforts by “the Ladies of Fulton and a community band that provided a concert for the benefit of the Mt. Adnah Cemetery.” Once money was raised, the Association “resolved to purchase from James L. Voorhees 36½ acres of land on the southeast edge of the village.”

Work on the cemetery began in 1853, when surveyor Peter Schenck laid out 12 acres of the property. (An additional eight acres were cleared and added soon after.) Schenck was already familiar with the Fulton area, having created the first comprehensive map of the two towns in 1848. After visiting other rural cemeteries, Schenck included what he considered their “essential elements” in his Mt. Adnah plans. Perhaps most important, as Ms. Lozner pointed out, was what the Christian caretakers of Adnah wanted for their cemetery: “Nature was healthful, wholesome and salubrious…it was the environment closest to God and therefore capable of teaching moral lessons about life.”

Ms. Lozner also uncovered the origins of the cemetery’s unique name: “Adnah is a Syriac word meaning ‘rest’ or ‘repose.’ The cemetery thus became ‘The Mount of Repose,’ a peaceful, beautiful dormitory where friends and relatives rested from their labors, and the terrors of death were minimized.”

As I read Mt. Adnah’s founding principles I began to understand why driving through the cemetery stirred my emotions. Mr. Schenck planned Adnah so that “hillsides climbed over the tops of others, the route through the grounds provided the visitor with a surprising and captivating sequence of internal views.” Ms. Lozner noted that the cemetery had a small lake and fountain to reflect the beautiful property. (It was later filled in when more space was needed.) Even the abundant shade trees I had noticed were intentional: Schenck suggested pine and red and white oaks, as well as ornamental shrubs and plants.

In 1854, a fence was deemed necessary to protect the cemetery from cattle wandering into the property from nearby farms. Adnah’s original bylaws stated that hitching posts be provided so horses would not be tied to trees. A cedar picket fence was constructed in 1855 and a more permanent gate in 1866. By the turn of the century, a cast iron arch welcomed visitors. It greets us today.

All those efforts helped maintain the beauty of Mt. Adnah, but it was in the design of headstones, monuments and mausoleums that the cemetery’s intentions were raised to an art form. One shining example of this was a chapel built in 1909 as a protected space for religious services. Built of Gouverneur granite with copper lanterns, pinnacles and trim, the Gothic style building stands in the form of a Greek cross. Its heavy oak doors feature copper knobs and iron hinges. The chapel’s interior is detailed with a mosaic floor of Italian tile and walls of pressed brick. Stained glass windows let sunlight in.

As Fulton grew, additional burial space was added, bringing Mt. Adnah to its current 44 acres. Today it welcomes many visitors, not only those attending to a loved one’s burial site, but also by people looking for a quiet setting to reflect.

Like all of Fulton’s history, Mt. Adnah requires care and attention, and its board of directors is dedicated to preserving this gem. If you’d like to help, you can make a donation to “Mt. Adnah Cemetery Association,” 706 E. Broadway, Fulton, NY 13069. As one board member reflected, “Mt. Adnah will always be a jewel in the fabric of Fulton.”

Mt. Adnah Cemetery.jpg

The Richness of a Free Library

In my last history blog, I wrote about the unique bookplate found inside every Fulton Library book. The plate proudly displays images that connect our city to the Native American tribes who considered this area sacred. Researching the origins of that bookplate got me thinking about the history of our library, still one of the few places in town that doesn’t cost a penny to visit.

That’s exactly what Andrew Carnegie had in mind when he began funding the construction of libraries throughout the United States. One of the wealthiest people in our country’s history, Carnegie never forgot his humble beginnings. After emigrating from Scotland with his family in 1848, he worked his way up the ranks of the railroad business, aggressively amassing a 200 million dollar (worth 5.8 billion dollars today) fortune. Amazingly, Carnegie sold his successful enterprises and spent the rest of his life giving that wealth away. He did so most impressively by founding over 2,500 libraries in the late 1800s and early 1900s, one of them right here in Fulton.

Carnegie had a personal reason for establishing those libraries. When he arrived in America eager to learn, he found that a library’s accessibility offered him the resources necessary to educate himself and develop a successful business plan. Carnegie believed anyone should be able to do as he did, including immigrants, who needed to acquire cultural knowledge of their adopted country. Libraries could provide that information.

Those of us benefiting from our library in 2019 weren’t around when Fulton received Andrew Carnegie’s kindness. But Joyce Cook, who was Fulton Library’s director from 1987 until 2001, has researched those early years. Joyce shared it with us when she contributed to The Fulton Memoir Project in 2014. Her memoir also covered the library’s history before Mr. Carnegie’s philanthropy came our way. As Joyce explained, there already was a library in Fulton, though it was humble compared to the one Carnegie helped us build:

 “The first Fulton Public Library was in a long, narrow upstairs room over one of the stores on ‘The Dizzy Block,’ at 7 South First Street. The Library received its charter from the state government in 1895 and, by 1901, had about 4,000 books in that second floor reading room.  Those books were donated from the high school library and the library of Falley Seminary, a local private school.  Helen Emens was the librarian for many years.” 

Joyce explained that the first library board was composed of Fulton industry leaders and school administrators. After a few years, the board got word that Andrew Carnegie’s foundation was offering money for library construction. Hopes were high that patrons would soon have a brand new library until its board members learned they did not qualify for funding. Only established cities could apply for Carnegie’s support and in 1901 the area we call Fulton was still two towns separated by the Oswego River. A year later, the towns merged and one of the city of Fulton’s first major accomplishments was receiving $15,000 (over $430,000 today) by The Carnegie Foundation. Joyce described the location for the new library:

“The site was part of the old portage road, where boats off-loaded their cargo to get around the falls, then loaded it back on further down the Oswego River, north of the city.  Some of the stone was salvaged from a building onsite that housed canal workers and was used in the library’s foundation.  Marble, brick, and native stone were used for the walls and door and window surrounds.  The roof was slate. Inside were quartered-oak floors and woodwork, as is evident even today.”

By summer 1905, the city had laid the library’s cornerstone. The following spring, Mrs. Emens, still in charge of the library, oversaw the transfer of materials to the new building. A few weeks later, the first patrons walked through its doors.  They were welcomed to a spacious main floor, with a children’s section behind the main desk and a basement area used for storage and large group programs. (The upper floor—the mezzanine—was added in the early 1960s.) 

 After rereading Joyce’s memories of the library, I wanted to bring myself up to date on our city’s important resource. As a frequent visitor to the library, I know that today the children’s area takes up the entire basement (other than a small conference room) and the two main floors hold over 34,000 works of fiction, non-fiction and reference materials. The area behind the front desk is now devoted to computers. Along with newspapers and periodicals, a CD and DVD collection expand how we learn and are entertained by library materials.

 A visit to the library’s website turned up more: Under the heading “Services,” you’ll find copy and faxing information, as well as notices on new e-books. You’ll also find out that the Fulton branch is now part of a North Country Library System, which includes 65 other libraries in upstate New York. This vastly expands the number of books and other resources available to check out. We’ll never run out of good books to read!

 Elsewhere on the Library’s website you’ll learn about new classes being offered, its monthly newsletter, and links to other websites with Fulton history information. Patrons who stop in can spend hours browsing for just the right book or book-on-tape or a movie to enjoy on DVD. The newspapers and magazines are waiting to be read. All this, of course, without any cost.

Don’t you think Andrew Carnegie would be smiling down on the good use being made of his generous gift?

The Fulton Public Library’s main entrance first began welcoming us in 1906.

The Fulton Public Library’s main entrance first began welcoming us in 1906.

Inside Every Fulton Library Book

It’s probably no surprise that I’m a big fan of our public library. Not only because I’m involved with their Memoir Project, which helps Fultonians preserve recollections of our city, but also because I’m a regular library patron. I find it amazing that, in 2019, I can still visit the library and borrow books for free. Is there anything else in today’s money-obsessed world that offers such value?

Those of us who’ve been carrying stacks of Fulton Library books home for years know that when we open each one we’ll see a familiar image on its inside front cover: the library’s bookplate. You might not even notice it, since it’s been used to identify books that are part of our library’s collection for over 80 years, but, as I recently learned, the bookplate is pretty special.

Those familiar with Fulton history will understand why the bookplate celebrates our city’s strong ties to Native American culture. Among the images found on the plate are a Native American in full ceremonial dress, a tribesman navigating the Oswego River, several animals that were sacred to local tribes and a phrase in Native American dialect.

How did these specific images come to represent our library? I found the answer in an old issue of The Fulton Patriot. In an article about the bookplate, its creator, Henry Pelouze de Forest, described its origins.

Mr. de Forest, Fulton-born, was actually Dr. de Forest, and he’d had a successful career as a surgeon in New York City. But the good doctor never forgot his Fulton roots, and in 1930 he was asked to create the bookplate for his hometown’s thriving library. (According to de Forest, the creation of the plate was actually a combined effort of several Fultonians and its supporters.)

Along with his medical expertise, Dr. de Forest was also a historian and he wanted the tribute to his birthplace’s library to reflect its rich Native American heritage. De Forest was well aware that the area we know as Fulton was once a gathering place for Central New York tribes. He explained some of this history in the Patriot article:

“The Iroquois Nation or ‘People of the Long House,’ as they described themselves, consisted originally of five tribes…the Mohawks, the Oneidas, the Onondagas, the Cayugas and the Senecas….During the Revolution, the Oneidas were the only ones who took the part of the colonists and at the close of the war with England, to reward their Indian allies, [they were] granted…large tracts of land.” Some of that land would one day become the city of Fulton.

Living with those tribes was a Church of England priest, Father Joseph W. Smith, who wrote a book about the natives’ way of life, including traditions and legends passed down from generation to generation. Many of those stories revolved around the Oswego River, which tribes used for transportation and recreation. Dr. de Forest’s bookplate includes two paintings of our city’s mighty river: Indian Point and Pathfinder’s Island, by Fulton artist Darwin Styles, and painter Robert Orr’s portrayal of a Native American’s canoe trip over Fulton’s Oswego Falls.

Robert Orr’s artistry shows up on the bookplate again with his drawings of local tribes’ sacred animal totems: Turtle, Beaver, Heron, Eel, Bear, and Deer, all which once were found in the Fulton area. Orr drew them on a “wampum belt,” which were used by tribes as trade for needed supplies. De Forest included a second belt, known as “the Peace Belt,” showing the white man and the Indian clasping hands.

On the bookplate, the two belts meet at a photograph of an Iroquois in full dress. Dr. de Forest obtained the photo from a Mohawk with ties to Fulton named Os-Ke-Non-Ton, or “Running Deer.” Os-Ke-Non-Ton was a noted Native American singer who’d given concerts in the Fulton area, often on the shores of Lake Neatahwanta. (He was also credited with cutting the piece of birch bark used as background for the bookplate.)

In the Patriot article, de Forest noted the challenge of finding just the right words to complete his bookplate’s message.  He knew he wanted a phrase of original Onondaga language, but, being untrained in translation, he wasn’t sure how to obtain one.

“To find an educated man of today of the Onondaga race familiar with the two languages was by no means an easy task,” de Forest explained. “But finally, at the suggestion of Miss Evelyn Lee Messenger, former Fultonian, who has taken much personal interest in the perfection of the bookplate, I wrote to Dr. Arthur C. Parker [Director of Rochester’s Municipal Museum], a full-blooded Onondaga [who] gave me most cordial cooperation.”

Through Parker’s assistance, de Forest was able to find the ideal statement to forever link our library with its Native American roots: Ongwe oweh oadeh sigwa….deh weso sigwa neh ga-ya-dos-hah dio—The Iroquois Trail Is Long, But No Trail Is So Long As That Made By A Good Book.

All de Forest’s work to create his history-worthy bookplate would have been for naught if he hadn’t been able to find financial support for its production. As the Patriot article stated, it was through “the generous and public spirit of Mr. & Mrs. George Gaylord Chauncey, who donated 250 dollars,” that artists could be paid for their work. Also critical to its success were Jesse Anthony Morrill, who created the printing press template from which the bookplates were mass produced.  William Fraser Dickson, a New York City native who attended school at Fulton’s Falley Seminary, paid for the production of the first 2,000.

According to current Fulton Library staff, about 2,000 bookplates are affixed to new books each year. One by one, those books are borrowed from the library and keep us company for a few weeks in our homes. There, we Fultonians enjoy hours journeying on the long trail of what reading a good book offers us.

The Fulton Public Library’s bookplate, found inside every book in the library’s collection, has a rich history.

The Fulton Public Library’s bookplate, found inside every book in the library’s collection, has a rich history.